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VERSION:2.0
PRODID:-//yonder𝒏𝒊𝒕𝒆//Occurrence export//EN
CALSCALE:GREGORIAN
BEGIN:VEVENT
UID:08fae7837cd94698fe07fbef4454ec2321ad2b4c0769116e061c0da9da973087@event-
 watcher.grosmar.art
DTSTAMP:20261018T030655Z
DTSTART:20261031T190000Z
DTEND:20261101T060000Z
SUMMARY:Diszkóázis
LOCATION:Atno\, 1044\, Zsilip utca 17.\, Budapest
URL:https://yondernite.com/events/diszkoazis-2026-10-31
DESCRIPTION:yonder𝒏𝒊𝒕𝒆: https://yondernite.com/events/diszkoazi
 s-2026-10-31\n\nKezdés: 2026. 10. 31. 20:00 GMT+1 (Europe/Budapest)\n\nV
 ége: 2026. 11. 01. 07:00 GMT+1 (Europe/Budapest)\n\nA naptárfájl a kezd
 ést és a forrás szerinti befejezést tartalmazza.\n\nEgyszeri naptárme
 ntés\; a későbbi változások nem frissülnek automatikusan. Indulás e
 lőtt ellenőrizd az eredeti eseményoldalt.\n\nEredeti esemény: https://
 ra.co/events/2559353\n\nAdatforrás: Resident Advisor\n\nAdatok ellenőriz
 ve: 2026. 10. 18. 01:45 GMT+2 (Europe/Budapest)\n\nAz eredeti oldal leír
 ása:\n𝘿𝙞𝙜 𝙙𝙚𝙚𝙥\, 𝘿𝙖𝙣𝙘𝙚 𝙡𝙖𝙩
 𝙚 They say that for 𝘿𝙖𝙫𝙞𝙙 𝙈𝙖𝙣𝙘𝙪𝙨𝙤\,
  a record’s fate didn’t depend on whether it was well-known or how man
 y copies were sold. At 𝙏𝙝𝙚 𝙇𝙤𝙛𝙩 - which wasn’t actu
 ally a club\, but rather an invitation-only house party he started in his 
 own apartment in 1970 - entirely different rules applied. He didn’t real
 ly believe in the concept of a “hit”\; he often played records that no
  one was looking for in record stores at the time. He played records from 
 start to finish\, without adjusting the volume or speed\, and maintained t
 hat if a recording is good\, it should be allowed to play through just as 
 it was made. Meanwhile\, 𝙏𝙤𝙢 𝙈𝙤𝙪𝙡𝙩𝙤𝙣 noticed
  something that DJs in clubs had already sensed: the three- or four-minute
  soul singles produced for radio were simply too short for the dance floor
  - they often ended just as the groove was really getting going. He began 
 creating longer mixes\, and then started taking the tracks apart and rebui
 lding them in the studio: with longer intros\, instrumental sections\, bre
 aks\, and a more repetitive structure. This gave rise to one of the key st
 ylistic elements of the disco genre: the extended mix. At 𝙋𝙖𝙧𝙖
 𝙙𝙞𝙨𝙚 𝙂𝙖𝙧𝙖𝙜𝙚\, 𝙇𝙖𝙧𝙧𝙮 𝙇𝙚
 𝙫𝙖𝙣 was already speaking this new language: dubs\, extended versi
 ons\, B-sides - while the genre itself wasn’t confined to a single sound
 . Alongside the strings of Philly soul\, the heavy basslines of funk\, and
  the orchestral arrangements of Salsoul\, synthesizers\, drum machines\, a
 nd electronic experimentation made their debut. In Italy\, this gave rise 
 to Italo disco\, while elsewhere\, boogie\, hi-NRG\, and electro pushed th
 e genre’s boundaries even further. Then\, after a long hiatus\, the late
  2000s saw a major revival of disco music. Edits\, re-edits\, white labels
 \, and hidden gems - all discovered and reimagined by legendary selectors 
 like 𝘿𝙅 𝙃𝙖𝙧𝙫𝙚𝙮\, 𝙏𝙝𝙚𝙤 𝙋𝙖𝙧𝙧
 𝙞𝙨𝙝\, and even 𝙏𝙤𝙙𝙙 𝙏𝙚𝙧𝙟𝙚. Today\, we 
 believe there’s a widespread misconception about disco music: many peopl
 e equate this genre with overplayed hits that stay in a mix for barely a m
 inute\, just long enough to ride the wave of current internet trends. This
  is the exact opposite of what Mancuso set out to do in the 1970s when he 
 conceived of disco. We’d like to prove Mancuso right for one evening and
  lose ourselves in this world for a night - and a carefully curated select
 ion will help us do just that: 20:00 - 22:00 ✧ Apropó Soundsystem: Osgy
 án and Elza 22:00 - 00:00 ✧ Soul Train Soundsystem: Von Yodi and Gandha
 rva 00:00 - 02:00 ✧ Stanley Maneuver b2b Milbury 02:00 - 03:30 ✧ Softe
 nse 03:30 - 05:00 ✧ Infragandhi 05:00 - 07:00 ✧ Gilbert Pomelo b2b Koz
 mo D 𝑻𝒊𝒄𝒌𝒆𝒕𝒔 𝒐𝒏𝒍𝒚 𝒐𝒏 𝒕𝒉𝒆 
 𝒅𝒐𝒐𝒓: 20:00 - 22:00 ✧ 3000 22:00 - 03:00 ✧ 4000 03:00 - 07
 :00 ✧ 2000 (𝒈𝒆𝒕𝒕𝒊𝒏𝒈 𝒉𝒆𝒓𝒆) 1044 Budapest
 \, Zsilip utca 17. // 8 minutes' walk from the M3 metro line. // // Last m
 etro at 00:43 > first metro at 04:20 // // Night buses every 20 minutes af
 ter 0:44 // (𝒄𝒐𝒗𝒆𝒓 // 𝒃𝒐𝒓𝜾́𝒕𝒐́) @anna.j
 peg2000
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