BEGIN:VCALENDAR VERSION:2.0 PRODID:-//yonder𝒏𝒊𝒕𝒆//Occurrence export//EN CALSCALE:GREGORIAN BEGIN:VEVENT UID:95cacbfea4e5882f5827092a7a579a8afcdba92dbc3c0d51eeb1ff54af0a1795@event- watcher.grosmar.art DTSTAMP:20261018T192722Z DTSTART:20261120T120000Z DTEND:20261120T131000Z SUMMARY:ÁdĂĄm Fekete: Excavated - a stand up special LOCATION:JurĂĄnyi HĂĄz - Kamaraterem\, Budapest URL:https://yondernite.com/events/adam-fekete-excavated-a-stand-up-special- 2026-11-20 DESCRIPTION:yonder𝒏𝒊𝒕𝒆: https://yondernite.com/events/adam-feke te-excavated-a-stand-up-special-2026-11-20\n\nKezdĂ©s: 2026. 11. 20. 13:00 GMT+1 (Europe/Budapest)\n\nVĂ©ge: 2026. 11. 20. 14:10 GMT+1 (Europe/Budap est)\n\nA naptĂĄrfĂĄjl a kezdĂ©st Ă©s a forrĂĄs szerinti befejezĂ©st tarta lmazza.\n\nEgyszeri naptĂĄrmentĂ©s\; a kĂ©sƑbbi vĂĄltozĂĄsok nem frissĂŒl nek automatikusan. IndulĂĄs elƑtt ellenƑrizd az eredeti esemĂ©nyoldalt.\ n\nEredeti esemĂ©ny: https://juranyihaz.hu/hu/eloadas/Excavated\n\nAdatfor rĂĄs: JurĂĄnyi HĂĄz\n\nAdatok ellenƑrizve: 2026. 10. 18. 04:00 GMT+2 (Eur ope/Budapest)\n\nAz eredeti oldal leĂ­rĂĄsa:\ndunaPart7 Platform in Hungar y “I’ve always wanted to talk about my body\, the body that speaks for me...” The opening of ÁdĂĄm Fekete’s stand-up monodrama is an absurd ly extended rabbit joke that leads us into the labyrinth of the Hungarian healthcare system\, from which\, like something straight out of Gogol’s (or Lynch’s?) overcoat\, more rabbits and carrots keep emerging. Before long\, we find ourselves at hip replacement surgery\, around which this fr agmented yet engaging autobiographical cabaret\, interwoven with fiction\, takes shape. Pain as an integral part of identity is laid on the table – or rather\, the surgical tray – alongside a critical examination of the everyday experience of disability\, sexuality and the overactive male ego. And throughout it all\, we laugh a lot. Even at the terrifying operat ion\, which Fekete’s stage persona recounts step by step\, with a uncont rived naturalism. Anyone who has been through something similar will likel y find themselves involuntarily recalling their own experiences. As for me \, I didn’t mind in the end: I was able to take part in taming fear and the paralysing loss of control. The self-vivisection continues\, with a su ccession of funny and/or awkwardly personal episodes and fragments: childh ood memories\, strange dreams and crushes. ÁdĂĄm Fekete’s acerbic yet d eeply human\, sarcastic humour is at its sharpest in this performance. He resorts to one of his favourite creative strategies: throwing the spectato r off balance\, while avoiding the obvious. Even in speaking about the bod y\, he seeks his own nonconformist narrative. (Judit Böröcz\, curator) W rites\, directs\, performs and also perforates himself: Á dĂĄm FEKETE Rog er: AndrĂĄs FEHÉR Sound and light management: ÁdĂĄm LANGÓ - Verbal\, in English - In 2020 ÁdĂĄm FEKETE (writer\, theater maker\, influencer\, se lf-made collage artist) underwent a serious hip replacement surgery\, and got home just before the first wave of the Covid pandemic. This operation changed his relation not only to his life long disability (cerebral palsy) \, but to the whole world. Fekete is well know for his sarcastic sense of humour presented on his Youtube channel called Taigetus Show\, and now he packs it into his first feature-length stand up special. The operation is more of a stepping stone: dancing around his hip deformity he aims to deco nstruct the institution of identity itself\, and to exploit the shapeshift ing self-image of a handicapped man. Meanwhile he plays different characte rs\, puts on several masks\, and he even attacks the ever so celebrated "a uto-fiction" genre. EXCAVATED is vivisection and multiplication\, transfus ion\, trepanation and cutting oneself in half. “I’ve always wanted to talk about my body\, this body\, which likes to talk instead of me\, this big turncoat. Which of us will have the last word? And can we open up like we used to\, on that operating table? Who will squeeze out who? That shou ld be at stake in our ambiguous dramatic monologue.” Partners and sponso rs: FÜGE Productions\, Municipality of Budapest\, Ministry of Culture and Innovation\, JurĂĄnyi Art Incubator House Reviews: "And let’s be honest \, we want exactly that\, because while Fekete ÁdĂĄm keeps telling about his ruddily unique yet outrageously average life\, which is so ridiculous and absurd that it could reduce us to tears\, and also painful because it is always self-confronting in its presentation\, we are equally suffocated and liberated by his story. His life\, which he lays at our knees\, is so everyday and self-evident in a way\, that it’s really one of a kind." – CsatĂĄdi GĂĄbor (PĂłtszĂ©kfoglalĂł) "Even though the title refers to i t\, this performance is not about a hip surgery. In a strict sense it is n ot about anything: it’s more fragmented\, rambling and dispersed – jus t as its narrator. [
] But in between the jokes and the stories he talks about one subject for a relatively big amount\, and that is sexuality\, a nd we have to highlight this because\, as far as I know\, this is a new th eme of Fekete ÁdĂĄm’s performances and self-vivisections." – VĂĄncza KristĂłf (szĂ­nhĂĄz.net) END:VEVENT END:VCALENDAR